THE HAPPIEST PLACE ON EARTH
Content (c) 2023 Sideshow Theatre Company
"To all who come to this happy place, welcome."
Once upon a time in an Anaheim, California orange grove, a magical kingdom was built and dedicated to America’s history, dreams and wildest hopes. Eight years later, one family’s American prince died on live television while delivering the Albuquerque sports scores, leaving his four daughters and their mother behind. Left reeling from the loss of their patriarch, the family underwent a quest to reach the magical kingdom and seek solace and recovery. Now, more than fifty years after their journey, acclaimed playwright Philip Dawkins retraces and illustrates the true story of the women in his family, exploring their history and asking if there really is a place where the dream that we wish can come true.
Co-produced with Greenhouse Theater Center and the Wendy and William Spatz Charitable Foundation
Approximate run time: 95 minutes, without intermission
September 17 - October 30, 2016
Greenhouse Theater Center
2257 N Lincoln Avenue
Production Sponsor
​
This program is partially supported by a grant from the Illinois Arts Council Agency, which receives support from the National Endowment for the Arts, a federal agency.
​
ACCESSIBLE PERFORMANCES
Sideshow is happy to provide the following accessible services for the performances listed:
Audio Description and Touch Tour:
Sunday, September 25: 1pm Touch Tour; 2:30pm performance
Open Captioning:
Sunday, September 25: 2:30pm performance
Friday, September 30: 8pm performance
Friday, October 7: 8pm performance
Friday, October 14: 8pm performance
Friday, October 21: 8pm performance
PRODUCTION TEAM
Philip Dawkins
Jonathan L. Green
Mike Mroch
Ellie Rabinowitz
Michael Huey
Darek Lane
Ellen Willett
Benno Nelson
Philip Dawkins
playwright / performer
Philip Dawkins is a Chicago playwright whose plays have been produced all over the country and the world. His critically acclaimed works include Charm (Northlight Theatre), Le Switch (About Face Theater) and Miss Marx: Or The Involuntary Side Effect of Living (Strawdog Theatre), which won the Joseph Jefferson Award for New Work, as well as The Homosexuals (About Face Theater) and Failure: A Love Story (Victory Gardens Theater), both of which received Joseph Jefferson nominations for New Work. This fall, he will be performing in the world premiere of his one man play, The Happiest Place on Earth, at the Greenhouse Theater Center with Sideshow Theatre Company. Look for his musical adaptation of Dr. Seuss’s The Sneetches (with composer David Mallamud) at Children’s Theater Company in Minneapolis next winter. Philip teaches playwriting at Northwestern University, Loyola University Chicago, his alma mater, and through the Victory Gardens ACCESS Program for writers with disabilities. Most of his plays, including his plays for young performers, are available through Playscripts, Inc. and Dramatic Publishing.
Jonathan L. Green
director
Jonathan has been the artistic director of Sideshow Theatre since its founding in 2007. He has directed and assisted for Sideshow, Greenhouse Theater Center, Lookingglass, Steppenwolf, Goodman, Diversionary Theatre, Chicago Dramatists, Theatre Seven of Chicago, Pavement Group and the Earl Hamner, Jr. Theatre. Recent projects include truth and reconciliation, The Happiest Place on Earth, Antigonick, Stupid Fucking Bird, Idomeneus (Jeff Award for ensemble), and others. Recent dramaturgy credits include Blind Date, Objects in the Mirror, Gloria, War Paint, The Sign in Sidney Brustein's Window, and Disgraced, all at Goodman Theatre. Jonathan is a graduate of the University of Virginia, currently serves on the board of directors of the League of Chicago Theatres, and is the literary manager for Goodman Theatre.
Mike Mroch
scenic designer
Mike Mroch is a freelance designer and director in Chicago. He is
a graduate of Columbia College with a BFA in directing and scenic design. Select design credits: Feast (Red Theater); After Miss Julie (Jeff nomination), The Long Christmas Ride Home, Miss Marx, Charles Ives Take Me Home (Strawdog); Look, We Are Breathing (Rivendell); The Word Progress on My Mother’s Lips, Cookie Play, Anger/Fly (Trap Door); Four (Jackalope); Dental Society Midwinter Meeting (Chicago Dramatists/16th Street Theater); Agreed Upon Fictions (16th Street Theater). Directing credits: 20,000 Leagues Under the Sea (Strawdog); At His Best, Margaret (Cold Basement); FML: How Carson McCullers Saved My Life (assistant - Steppenwolf for Young Adults); The Cheats (assistant - Steep). Upcoming designs: The Night Season (Strawdog Theatre); We’re Gonna Die (Haven Theatre).
Ellie Rabinowitz
lighting designer
Ellie Rabinowitz delights in a multiplicity of lighting applications: from dance (LA Dance Project & Dušan Týnek Dance Theater), to theater (Camino Real at Boston Court & Timboctou REDCAT in LA, Cattywampus at The Incubator & Close Up Space at Chautauqua in NY), art (Emily Mast at LACMA), stop-motion (Robot Chicken & Lizzy Klein’s Dust), & music (Indradevi, LA Grand Ensemble), as well as teaching lighting design. She is happy to have recently returned to her Midwestern roots!
Michael Huey
sound designer
Michael is happy to continue his journey with Sideshow after designing favorites like Idomeneus, Burden, and most recently Chalk. He’s designed and composed for Adventure Stage Chicago (the ongoing Prometheus Project), North Park University (The New Kid), Strange Tree Group (Jeff nominated music for The Spirit Play), and many more. Recent film credits include the score for the Lance Henricksen thriller Dark Awakening. Music and more can be found at: officialmichaelhuey.com.
Darek Lane
stage manager
Darek is excited to be working with Sideshow Theatre Company! She recently worked as an SM with Forth Story Productions on their debut show Tapped. She has had the opportunity to work with Chicago theatre companies and events such as HRC’s HER Gala, Chicago Fringe Festival, GSOC, Project 891, & Quest Theatre Ensemble. She has also worked on productions in Montana, Michigan, North Carolina, and Scotland. Darek holds an MFA in stage management from Wayne State University in Detroit.
Ellen Willett
production manager
Ellen is happy to be working with Sideshow again after production managing Antigonick and Mai Dang Lao. She regularly works with the talented folks at The Inconvenience, Remy Bumpoo, Steep, Route 66, and the Grant Park Music Festival, making theatre and events. For fun, she serves on the board of the International Contemporary Ensemble (ICE), fosters coonhounds, and takes any opportunity to sail on the lake.
Benno Nelson
dramaturg
Benno has served as dramaturg for productions and readings with Sideshow, A Red Orchid Theatre, the Inconvenience, LiveWire, New Leaf and more, and directed productions at The New Colony and Oracle’s B-Sides. His writing has appeared in Time Out, the Paper Machete, Judson Memorial Church, and Collaboraction’s SketchBook.
Brian Sprague
technical director
Brian Sprague graduated from Northern Illinois University with his MFA in acting. He received his BA in theatre from the University of Kentucky. He has performed and studied internationally at the Moscow Art Theatre and the Adana State Theatre in Turkey. Technical direction credits include Give It All Back, The Happiest Place on Earth (Sideshow Theatre), Earthquakes in London (Steep Theatre), Beauty and the Beast Jr. (ACE), Breathing Corpses, The Seafarer, November and The Clean House (Actors Guild of Lexington).
PHOTOS
PRESS
Hedy Weiss, Chicago Sun-Times
Marissa Oberlander, Chicago Reader
Alex Huntsberger, Time Out Chicago
Peter Thomas Ricci, Chicago Theatre Review
Katy Walsh, The Fourth Walsh
by Philip Dawkins
directed by Jonathan L. Green
September 17 - October 30, 2016
Greenhouse Theater Center
2257 N Lincoln Avenue
Run time: 95 minutes, without intermission
Once upon a time in an Anaheim, California orange grove, a magical kingdom was built and dedicated to America’s history, dreams and wildest hopes. Eight years later, one family’s American prince died on live television while delivering the Albuquerque sports scores, leaving his four daughters and their mother behind. Left reeling from the loss of their patriarch, the family underwent a quest to reach the magical kingdom and seek solace and recovery. Now, more than fifty years after their journey, acclaimed playwright Philip Dawkins retraces and illustrates the true story of the women in his family, exploring their history and asking if there really is a place where the dream that we wish can come true.
Co-produced with Greenhouse Theater Center and the Wendy and William Spatz Charitable Foundation
Production Sponsor
​
​
This program is partially supported by a grant from the Illinois Arts Council Agency, which receives support from the National Endowment for the Arts, a federal agency.
ACCESSIBLE PERFORMANCES
Sideshow is happy to provide the following accessible services for the performances listed:
Audio Description and Touch Tour:
Sunday, September 25: 1pm Touch Tour; 2:30pm performance
Open Captioning:
Sunday, September 25: 2:30pm performance
Friday, September 30: 8pm performance
Friday, October 7: 8pm performance
Friday, October 14: 8pm performance
Friday, October 21: 8pm performance
Philip Dawkins
playwright / performer
Philip Dawkins is a Chicago playwright whose plays have been produced all over the country and the world. His critically acclaimed works include Charm (Northlight Theatre), Le Switch (About Face Theater) and Miss Marx: Or The Involuntary Side Effect of Living (Strawdog Theatre), which won the Joseph Jefferson Award for New Work, as well as The Homosexuals (About Face Theater) and Failure: A Love Story (Victory Gardens Theater), both of which received Joseph Jefferson nominations for New Work. This fall, he will be performing in the world premiere of his one man play, The Happiest Place on Earth, at the Greenhouse Theater Center with Sideshow Theatre Company. Look for his musical adaptation of Dr. Seuss’s The Sneetches (with composer David Mallamud) at Children’s Theater Company in Minneapolis next winter. Philip teaches playwriting at Northwestern University, Loyola University Chicago, his alma mater, and through the Victory Gardens ACCESS Program for writers with disabilities. Most of his plays, including his plays for young performers, are available through Playscripts, Inc. and Dramatic Publishing.
Jonathan L. Green
director
Jonathan has been the artistic director of Sideshow Theatre since its founding in 2007. He has directed and assisted for Sideshow, Greenhouse Theater Center, Lookingglass, Steppenwolf, Goodman, Diversionary Theatre, Chicago Dramatists, Theatre Seven of Chicago, Pavement Group and the Earl Hamner, Jr. Theatre. Recent projects include truth and reconciliation, The Happiest Place on Earth, Antigonick, Stupid Fucking Bird, Idomeneus (Jeff Award for ensemble), and others. Recent dramaturgy credits include Blind Date, Objects in the Mirror, Gloria, War Paint, The Sign in Sidney Brustein's Window, and Disgraced, all at Goodman Theatre. Jonathan is a graduate of the University of Virginia, currently serves on the board of directors of the League of Chicago Theatres, and is the literary manager for Goodman Theatre.
Mike Mroch
scenic designer
Mike Mroch is a freelance designer and director in Chicago. He is
a graduate of Columbia College with a BFA in directing and scenic design. Select design credits: Feast (Red Theater); After Miss Julie (Jeff nomination), The Long Christmas Ride Home, Miss Marx, Charles Ives Take Me Home (Strawdog); Look, We Are Breathing (Rivendell); The Word Progress on My Mother’s Lips, Cookie Play, Anger/Fly (Trap Door); Four (Jackalope); Dental Society Midwinter Meeting (Chicago Dramatists/16th Street Theater); Agreed Upon Fictions (16th Street Theater). Directing credits: 20,000 Leagues Under the Sea (Strawdog); At His Best, Margaret (Cold Basement); FML: How Carson McCullers Saved My Life (assistant - Steppenwolf for Young Adults); The Cheats (assistant - Steep). Upcoming designs: The Night Season (Strawdog Theatre); We’re Gonna Die (Haven Theatre).
Ellie Rabinowitz
lighting designer
Ellie Rabinowitz delights in a multiplicity of lighting applications: from dance (LA Dance Project & Dušan Týnek Dance Theater), to theater (Camino Real at Boston Court & Timboctou REDCAT in LA, Cattywampus at The Incubator & Close Up Space at Chautauqua in NY), art (Emily Mast at LACMA), stop-motion (Robot Chicken & Lizzy Klein’s Dust), & music (Indradevi, LA Grand Ensemble), as well as teaching lighting design. She is happy to have recently returned to her Midwestern roots!
Michael Huey
sound designer
Michael is happy to continue his journey with Sideshow after designing favorites like Idomeneus, Burden, and most recently Chalk. He’s designed and composed for Adventure Stage Chicago (the ongoing Prometheus Project), North Park University (The New Kid), Strange Tree Group (Jeff nominated music for The Spirit Play), and many more. Recent film credits include the score for the Lance Henricksen thriller Dark Awakening. Music and more can be found at: officialmichaelhuey.com.
Darek Lane
stage manager
Darek is excited to be working with Sideshow Theatre Company! She recently worked as an SM with Forth Story Productions on their debut show Tapped. She has had the opportunity to work with Chicago theatre companies and events such as HRC’s HER Gala, Chicago Fringe Festival, GSOC, Project 891, & Quest Theatre Ensemble. She has also worked on productions in Montana, Michigan, North Carolina, and Scotland. Darek holds an MFA in stage management from Wayne State University in Detroit.
Ellen Willett
production designer
Ellen is happy to be working with Sideshow again after production managing Antigonick and Mai Dang Lao. She regularly works with the talented folks at The Inconvenience, Remy Bumpoo, Steep, Route 66, and the Grant Park Music Festival, making theatre and events. For fun, she serves on the board of the International Contemporary Ensemble (ICE), fosters coonhounds, and takes any opportunity to sail on the lake.
Benno Nelson
dramaturg
Benno has served as dramaturg for productions and readings with Sideshow, A Red Orchid Theatre, the Inconvenience, LiveWire, New Leaf and more, and directed productions at The New Colony and Oracle’s B-Sides. His writing has appeared in Time Out, the Paper Machete, Judson Memorial Church, and Collaboraction’s SketchBook.
Brian Sprague
technical director
Brian Sprague graduated from Northern Illinois University with his MFA in acting. He received his BA in theatre from the University of Kentucky. He has performed and studied internationally at the Moscow Art Theatre and the Adana State Theatre in Turkey. Technical direction credits include Give It All Back, The Happiest Place on Earth (Sideshow Theatre), Earthquakes in London (Steep Theatre), Beauty and the Beast Jr. (ACE), Breathing Corpses, The Seafarer, November and The Clean House (Actors Guild of Lexington).
Once upon a time in an Anaheim, California orange grove, a magical kingdom was built and dedicated to America’s history, dreams and wildest hopes. Eight years later, one family’s American prince died on live television while delivering the Albuquerque sports scores, leaving his four daughters and their mother behind. Left reeling from the loss of their patriarch, the family underwent a quest to reach the magical kingdom and seek solace and recovery. Now, more than fifty years after their journey, acclaimed playwright Philip Dawkins retraces and illustrates the true story of the women in his family, exploring their history and asking if there really is a place where the dream that we wish can come true.
Co-produced with Greenhouse Theater Center and the Wendy and William Spatz Charitable Foundation
Production Sponsor
​
​
This program is partially supported by a grant from the Illinois Arts Council Agency, which receives support from the National Endowment for the Arts, a federal agency.
ACCESSIBLE PERFORMANCES
Sideshow is happy to provide the following accessible services for the performances listed:
Audio Description and Touch Tour:
Sunday, September 25: 1pm Touch Tour; 2:30pm performance
Open Captioning:
Sunday, September 25: 2:30pm performance
Friday, September 30: 8pm performance
Friday, October 7: 8pm performance
Friday, October 14: 8pm performance
Friday, October 21: 8pm performance